filmed by JEJ for FACADES

Refreshing with it’s use of colour and styling, Arora’s show stood out among the largly somber colour palette of paris winter. Light up shoes and alien hair do’s, this was a show full of spirit and true to the designers vision. 

filmed by JEJ for FACADES

Polished and gothic, models took a considered pace down the runway, giving the exquisite garments the time they needed to be appreciated. Each felt very well considered, practical yet very contemporary. Aganovich’s extensive research is evident. 

filmed by JEJ for FACADES

Models oozing sex appeal in small dresses, knee high boots and oversized coat ended a rich show were ideas were fully explored and developed. Charlier presented a full wardrobe, and a beautiful one at that. 

filmed by JEJ for FACADES

Monochrome, and achingly cool, Devastee is what parisian hipster dreams are made of. Sweet but no overly so, with all of the right sixties references, but most of all urban with contempoaray street style references evident. 

filmed by JEJ for FACADES

Pascual Millet’s diversity of references shone through in this collection. It is the wardrobe a quintinsesstial independent woman. Strong, yet feminine with moments of simple and pure romance. 

High Glamour, vampy, yet perhaps a little gungy girls strode down the TexSaverio runway with a confidence that wearing these clothes would inevitably give a woman. The looks and the girls were strong, the collection varied and overall a great showcase. 

filmed by JEJ for FACADES

Evidently inspired by jetset who holiday on yachts in cannes during summer and move up to the mountains of Gstaad once winter hits, Phung collection was a rather confusing mix of flowing summer lounge wear and ski bunnies in neoprene-ish geometric printed winter wear. But it is a spirited and very desireable collection from the young designer. 

filmed by JEJ for FACADES

At Corrine Neilsen, in a beautiful setting, otherworldly almost alien shapes of coats contrasted with more traditionally cut pieces. These looks were followed by voluminous gowns that further cocooned the models, whose faces were sheathed in gauze. A feminine edge and strong references made this one of Neilsen’s most notable to date.