Works by AES+F @ The Venice Pavilion For The 55th Venice Art Biennale
10 images of Photo Installation & Sculpture shot by JEJ for FACADES
mirroring David de la Chapelle...
The Feast of Trimalchio by AES+F @ the Pavilion of Venice
(La Biennale di Venezia 2013 Giardinni)
AES+F is a group of four Russian artists: Tatiana Arzamasova (1955), Lev Evzovich (1958), Evgeny Svyatsky (1957), and Vladimir Fridkes (1956). The group was formed in 1987 as AES by three artists: Tatiana Arzamasova, Lev Evzovich and Evgeny Svyatsky. Photographer Vladimir Fridkes joined the group in 1995, and the name of the group changed to AES+F. The collective lives and works in Moscow.
Pavilion of Russia @ The 55th Venice Art Biennale (Giardini)filmed by JEJ for FACADES
Quirky Art Installation at the Russian pavillion lashes out on the shallowness and material desires in today's society...
Pavilion of Korea @ The 55th Venice Art Biennale (Giardini)filmed by JEJ for FACADES
perhaps the most popular pavilion at this year's biennale
consistent long cues prevailed from the 3day press preview to the first open day for the public of the Biennale...
Pavilion of Switzerland @ The 55th Venice Art Biennale (Giardini)filmed by JEJ for FACADES
modern minimalism at its best...
Pavilion of Venezuela @ The 55th Venice Art Biennale (Giardini)filmed by JEJ for FACADES
Latin Urban Art
the performance was filmed by JEJ for FACADES
CORPO/STORIA
BODY/HISTORY
by Fabio Mauri (1926-2009)
photo by Elisabetta Catalano on canvas (1973)
The central Nucleus of Mauri's artistic practice is characterised by interpreting, in experimental linguistic tones, the theme of ideology and dialogue between man and history.
Daily Conduct by Paulo Nazareth @ The 55th Venice Art Biennale (Arsenale)filmed by JEJ for FACADES
Mixed Media Installation by Paulo Nazareth 2013
Drawing inspiration from his mixed heritage and tangled colonial past of the Americas, Nazareth creates profoundly social works that involves encounters in Brazilian favelas, extended stays with indigenous Guarani communities, and most often the people he meets while walking.
Nazareth performs through his immediate environment-deconstructing his own position in the world with an ad hoc vocabulary that allows him to engage with a place and its people through the local materials he finds...
